My take on Kanche

kanche

Kanche – A sensible love story, a fiercely war sequence, a blended comedy track spiced up with dialogues and references to Telugu poetry all woven together with a strong message.

Sensible love story: Unlike the contemporary love stories, there is no reference to love-at-first-sight, no coming down on knees to propose to the girl, no out of the world promises, no staged fight scenes, no eloping with girl, no fooling around with the girls family. Yet the emotion has been carried so well from acquaintance to friendship to love. Brownie points for differentiating like from love –  If you like a rose you would want it and may end up plucking it. But if you love a rose you will end up nurturing it.

Fiercely war sequence: The war sequence has been pictured wonderfully within the limited budget. It is the story of a soldier who leads from the front, who motivates, encourages, entertains and inspires his fellow soldiers. Special accolades for the dialogue which aims to establish the insignificance of one man in the backdrop of the Universe with its zillion galaxies. Do we need more bifurcations in the name of caste, culture, nation? Shouldn’t a man feel a strong bond with a fellow human being just for belonging to the same species?

The war sequence

The war sequence

Blended comedy track: Its been long since we have seen such a refreshing comedy track with laugh inducing dialogues. The comedy has intertwined so well into the story that it does not feel artificial or force-fitted. I had a wholehearted laughter after a real long time while watching this movie. I am going to watch the movie again just for the dialogues and comedy.

Message oriented – Kanche means a fence, a barricade, a separator and many more such things which define and confine people to a border. This movie is an excellent attempt by director Krish to explain everything that is wrong about a fence. A period flick that draws parallels between a fence that is put up in the middle of a village and a border that separates two countries. The movie chastises the fences which attempt to define limits on love.

The movie may be set in the backdrop of 1930s but it is absolutely apt even now. An invisible fence exists even today between various castes, religions, cultures and countries! This movie is an attempt to help us uproot this fence which is rooted deep within us.

The movie is about HOPE. A hope of change! A hope that the man kind will resolve differences and unite to work towards common good!

And the movie is a hope on the Telugu movie industry 🙂 An IMDB rating of 8.7 speaks loads about the movie.

Did you watch this movie? Please do share your views.

A rejoinder to a business standard article on Bahubali!

A northie friend of mine shared this article asking for opinions from her telugu friends. Having watched the movie, though not on the first day and having followed all the uproar against the weakling in the characterization of the female lead Avantika I felt intrigued to read through the article. Especially the title echoed with my feelings.  The discourse of this magnitude sounded un-necessary for me too. But as I read through, I have lost it completely.  Does the author really mean the discourse is unnecessary because tollywood movies are anyways hopeless, because the director is used to dumbifing the female lead roles, because the female oriented movies are not successful, or because the director is a disciple of another Director who is used to objectifying the female lead! His arguments are something beyond my comprehension.

First let me rebuke on his degrading statement against Tollywood. Sir, your statement regarding telugu movies has really hurt a genuine telugu movie buff’s sentiments. Please be reminded we do have many female-lead movies in Tollywood. Missamma, Mayabazaar, Karthavyam, Arundati,  and the latest Rudrammadevi are just few examples of successful (read box office hits) and powerful female-lead movies which I could recollect immediately. I am sure there will be many more which will surface on a simple google search (let me know if you need help there). They may not match in numbers with male-lead movies but they definitely don’t fall short of matching up in ratio with other woods (Holly, Bolly, Kolly etc).

Non-telugu guys I promise to write a separate post to give you a non-biased view of tollywood and link it up here.

Secondly on the movie, when I watched the movie, I got damn bored in the first half at the over insistence to establish the physical power of Shivudu and ofcourse I didnt like him making advances towards Avantika but I enjoyed the picturization nevertheless      (And please don’t get me started on laws of physics etc… lot of so called international standard hollywood movies don’t comply as well). As the story built up I got glued to the narrative and the screen play. The second half completely compensated for the glitches in the first half. Sivagami- Ramya krishna, Kattappa – Sathyaraj , Ballaladeva – Nazar, Bijjaladeva – Rana, Snr Bahubali – Prabas! What a lovely casting,  characterization and performance. And of course it will be a crime on my part not to mention the war scene. By the end of it I forgot about all the shortfalls of first half and left the theater making a mental note to watch it again on the big screen.

I still agree with a lot of my feminist friends on why Shivudu-Avantika relationship portrayal is a cause of concern given the current Indian scenario. I could have appreciated if the Director handled it better. The fact that he used colloquial language even for a movie which is framed in medieval  times did impress me. Obviously he could have found a smarter way to handle the delicate romance between the two  powerful lead characters.

The Queen!

The Queen!

BUT for a minute forget Avantika and look at the characterization of Sivagami. Look at the respect she commands, the ethics she caries and look at the whole kingdom that obeys to her orders (including the crocked husband). And please be reminded this character has also been brought alive by pretty much the same Director. It clarifies the point that the Director might have just been carried away in Avantika’s case but had no intentions of an anti-feministic message  through his multi-million block buster movie.

Let us come to the audience. There is an age old saying “What you seek is what you get”. So I can only request the audience to use their discretion while trying to emulate the movie. You wont obviously attempt to climb up the water fall trying to dupe Sivudu right? In the same way please don’t go by the movie blindly and assume that you can continue to make advances with women even when they show resentment / when they don’t give you their consent. In short sit back and enjoy the reel for entertainment, come back to real life and behave yourselves!

I rest my case!